For at least a year, I’ve been trying to recollect the name of a series of books I read as a pre-teen. Because of what I remember of their gentle domestic mysteries and propulsive (though relatively simple) riddles, I’d thought that they would be ideal for Gwendolyn, our almost-six-year old. Unfortunately, I couldn’t remember the author or the title of the series, which I remembered only through ancillary details – four siblings, I thought, and their search for hidden treasure (of mostly sentimental value). The image I remembered best came from the end of one of the books, when a young protagonist is stung by a wasp, preventing her from making a final discovery. I started thinking that in order to find the books, I’d have to call in the professionals – maybe a children’s librarian, or the book dealers at Loganberry Books (who have a service in which they, and their readers, attempt to locate books based upon the most sketchy descriptions and faulty memories). I’d procrastinated following this prompt, maybe out of a perverse desire to solve my own riddles.
A week ago, I returned from work to find the children ready to take me on a field trip. I had never been to our local library’s main branch, which is older and larger than the location we started visiting when we moved here. I found this building much more to my liking than the new, computer-centric library we’ve frequented; it reminded me of the county library I remember from my childhood, with its stolid architecture, hulking bookstacks, and the tang of dust and paste in the air. While the children were picking out their choices for the week, I walked the aisles, and a book caught my glance. Whether I recognized the binding from some subterranean memory, or whether the title finally returned to me, I realized that I’d found the book I remembered.
The book – Key to the Treasure (1966) – was written for younger children than I’d expected, but still carried, more or less, the charms which had attracted me as a young reader. Glancing through the pages at the library, I found three siblings, not four, but there is the wasp scene, and others I’d forgotten. I had also never realized that the author, Peggy Parish, was more familiar to me from another set of books I’d enjoyed, but as an even younger reader – the Amelia Bedelia series. Linus, our three-year old, especially enjoyed the ink sketches by Paul Frame, which – though not especially remarkable – give a lively pace to the chapters.
I read it to the two older kids, who responded much as I’d anticipated. They were caught up in the behavior of the children, and the dynamic series of clues and discoveries. At times, the description of the three children's interactions struck me as having a bit of a fifties-sitcom sheen, but they are allowed enough squabbles and setbacks to seem like authentic children. Rather than the fanciful “treasure” which is common fare of children’s literature, I thought that the result of their search – a “treasure” hidden by the children’s great-great-grandfather for his own children, which, because of the loss of his first clue, was never found – was striking in its emotional resonances.
One mark of a lasting book – at least as far as Gwendolyn is concerned – is whether she wants to revisit the story for a time after we read. Key to the Treasure passed this test. On Sunday, she asked to “play” it, so I made up a series of visual clues (drawings of details of items throughout the house), and hid them so one led to the next. I hid the final image, a photograph of the children peering over their mother’s belly shortly before the birth of Casper. When they followed the clues to the picture, they found their treasure (candy necklaces). It was enough of a hit that I think we’ll work a similar hunt into the six-year birthday party this weekend.
We love to get audiobooks at the library and a few months ago, we picked up Three Tales of My Father's Dragon, which turned out to be three books in one. We later checked out each of the books, My Father's Dragon, Elmer and the Dragon, and The Dragons of Blueland so we could enjoy the charming stories as well as the fun illustrations. The books are written by Ruth Stiles Gannett and illustrated by Ruth Chrisman Gannett.
My Father's Dragon begins when the mother of a young boy throws out an alley cat that he had been feeding. When the cat tells Elmer about the fantastical Wild Island, and a dragon imprisoned there by the ferocious animals, he decides to stow away on a ship and try to save the baby dragon. He succeeds through a series of encounters with the animals -- each time they threaten him, he distracts them by offering some bit of the toiletries he had packed. The lighthearted tone, not to mention Elmer's cleverness in tricking his powerful adversaries, is part of what makes the book such a success. 
My Father's Dragon begins when the mother of a young boy throws out an alley cat that he had been feeding. When the cat tells Elmer about the fantastical Wild Island, and a dragon imprisoned there by the ferocious animals, he decides to stow away on a ship and try to save the baby dragon. He succeeds through a series of encounters with the animals -- each time they threaten him, he distracts them by offering some bit of the toiletries he had packed. The lighthearted tone, not to mention Elmer's cleverness in tricking his powerful adversaries, is part of what makes the book such a success. 
